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ItвЂ™s a broad piece of legislation, but the most impactful part for the music world is Section 512, which established safe-harbor provisions that insulated digital service providers from copyright-infringement liability. The DMCA was passed October 28th, 1998 - nine months before Napster launched- and more than 20 years later, it still undergirds the internetвЂ™s copyright status quo in the United States. The reasons are myriad - exploitation is one hell of a Hydra - but one gnashing dragon head is a piece of copyright legislation: the Digital Millennium Copyright Act. The contours are drastically different from the days when forking over $18 for a CD was suddenly rendered pointless when you could just get вЂњChop Suey!вЂќ or вЂњBye, Bye, Bye.вЂќ Nowadays, music is a constant presence on, if not a fundamental component of, the internetвЂ™s most valuable platforms, yet musicians, artists, and songwriters are rarely compensated like it is.

BYE BYE BY MARIAH CAREY DOWNLOAD MP3 TORRENT

In 2021, copyright infringement is less about individuals on torrent trackers than some of the biggest websites in the world, like YouTube and Twitch. The damage piracy did to the industryвЂ™s bottom line in the mid-2000s was devastating - but still worse were the self-inflicted reputational wounds, which complicate an arguably greater copyright crisis going on right now, nearly two decades later. Along with suing individual users, the record labels buried Napster and its progeny, like Kazaa and Limewire, with legal challenges. In the annals of disastrous corporate PR decisions, few are as bad as the music industryвЂ™s scorched-earth response to peer-to-peer piracy in the early 2000s.

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